TCHO factory
Tcho factory
 
After writing about TCHO in 2008 and consuming far too many of their delicious chocolates over the past four years, we finally made a special trip to visit the factory at Pier 17 in San Francisco.
 
While we very much enjoyed the retail and manufacturing experience, it was only when we left that we overheard another customer say...
 
"It's really cool, but I was kind of hoping it was going to be more like Willy Wonka and the Chocolate Factory."
 
After a good laugh the comment made us wonder... do you think that customers have an unrealistic perception of experiences based on movies?
 
It's easy to point to Tiffany's and Bergdorf Goodman as retailers who embrace their Breakfast at Tiffany's and Sex and the City personas, but had that movie and television show preceded the stores it would be important to explore what brand elements might be relevant to a shopping experience. 
 
Given the nature of food production facilities, we're guessing that safety, security, and FDA regulations are a stark contrast to Willy Wonka's fun-loving image. As a potential solution to this dilemma, TCHO could layer storytelling as a tool for bridging the gap between the deliciously creative and modern.
 
The best part of this potential approach would be that the content would be readily available online and as part of the TCHO Taste Test Trip series. To augment the creative, we would also suggest that the retail management staff the store with more tasting specialists to engage customers instead of having a greater number of employees behind counters. Registers could easily be replaced with handheld iPads as another tactic for creating a more inviting atmosphere. 
 
It's fun to imagine a Willy Wonka X TCHO experience that would resonate with that one customer, but we're careful to point out that our ideas are hardly a critique of the experience. Feel free to share your thoughts on our retail design and merchandising concepts via twitter or facebook.
 
Bar Agricole
Bar Agricole
 
In San Francisco, we were taken with the wine menu at Bar Argicole. Instead of listing each wine by color category, the menu highlights each unique estate. 
 
Additionally, each page includes a brief introduction. Here's an example: 
"François Chidaine makes Vouvray and Montlouis; the latter is across the river from its more famous sister. The wines in Moutlouis are a bit more rustic with lovely honeyed, nutty aromas and flavors. The bournais FDP comes from a section of the vineyard where the vines are planted on their own roots."  
 
We love how this is not just a clever marketing and communication tactic  but a merchandising tool for assisting the customer in understanding the breadth of the list and producer. 
Scratch Nail Wraps
 
Burkatron Nails
{photo: Scratch}
 
Artists are taking on the beauty industry with a colorful take on graphic design. 
 
Founded by Chelsea Kent, Scratch was born out of the simple idea "that nail wraps are really cool but most of the designs currently out there are not." Unlike traditional nail wrap companies, they team up with incredible designers, bloggers, and illustrators from around the world to develop a new monthly collection from a featured artist, and directly support the artist with a percent commission of every sale. 
 
Scratch Nail Wraps
{photo: Scratch}
 
Already in the market with limited designs out of their Los Angeles, CA studio, Scratch's latest collection features Caroline Burke, Kaylah, and Payton & Brian as part of a Kickstarter Campaign. As of last week, the project had exceeded its funding goal. Check out the fun video highlighting all of the designs or pledge your support (we did). 
 

 

We love how Scratch is making cool patterns available to a larger audience with a DIY product that does not require steady hands or time at the salon. 

 
 
 
What is culturally attractive?
 
The hallmark of something, someone, or someplace appealing is both a simple and complex equation so we were delighted to see Ted explore the art of physical beauty in these six stunning talks.
 
 
 
We love how designer Richard Seymour ask us to rethink beauty through simply feeling it, while model Cameron Russell shares her thoughts on the art of transforming into what people deem sexy "with an honest twist". The paradox and poignancy of pleasure is a timely exploration given the medias the award season fever pitch. Watch all six presentations here.
 
While these stunning Ted talks on physical beauty may not shift your thoughts on "Best Dressed" at the SAG Awards this Sunday, we guarantee that your perceptions will be shifted permanently.
 
 
 
Old Faithful Shop
Old Faithful Shop
 
Since our summer visit last year, we've been taken with the understated charm and craftsmanship of the merchandising at Old Faithful Shop in the Gastown neighborhood of Vancouver, BC. The humanist approach to everyday materials encourages integrity with an importance on sharing and quality time.
 
We love this wholesome pursuit of craft and simplicity with
paired down design and functional form.
 
No Noise
No Noise
{Image: Selfridges}
 
 
Selfridges is launching a new campaign to celebrate the power of quiet and see the beauty in calm among the crowds from January 7th to the end of February 2013.
 
The "No Noise" concept will feature the world's most recognizable brands, sans logos, in an exclusive Quiet Shop collection of minimalist design and de-branded products. The retail experience is based on Harry Gordon Selfridge's original "Silence Room" in 1909.
 
Within the designated space — shoppers will be asked to remove their shoes and hand over their cell phones. To facilitate the journey, customers can “find balance in this fast-paced world” via in-store meditation sessions guided by London based Headspace or by enjoying specially commissioned art installations designed to nurture the imagination.
 
Is quiet the an anecdote to retailing ubiquity or do you think that will Lessism will continue its reign in 2013?
 
 
[UPDATE 1.7.13: View campaign video and shop the range of products without logos at Selfridges.]
 
The Whale Wins
 
Who powder coats a Berkel meat slicer?
Renee Erickson, that's who.
 
To achieve the optimal look in her new restaurant, The Whale Wins, she painted the classic, red, hand-crank, flywheel prosciutto slicer white. We love it.
 
The look and feel of the space, in combination with the attention to detail and fantastic menu, get high marks in our book. View more photos, including the "Hello" ceiling lighting, here.
 
 
Editors note: Special thanks to J&J for the invite to the soft opening service.
Holt Renfrew Cosmetics
In case you haven't already heard the news... retail has a new hero as a result of the economy: the beauty category.
 
The effects of this surge in affordable luxuries have spurred growth in new products, line extensions, and licensing agreements across all price points. According to data from GCI, global retail sales of premium beauty products were up 5% in 2011, the best performance since 2007. Hair care and fragrance also posted strong numbers – 10% and 6% respectively. The selected statistics below help to illustrate the success and the opportunity within the category:
  • For the first six months in 2012, a study by NPD Group showed an 8% increase in prestige makeup sales in US department stores.
  • LVMH’s perfumes and cosmetics business group reported organic revenue growth of 8% for the first nine months of 2012. The company's selective retailing business group, which includes Sephora, achieved organic revenue growth of 14% for the first nine months of 2012.
  • The Estée Lauder Companies Inc. reported a strong financial performance for the fiscal year ending in June 2012 with net sales of $9.71 billion, a 10% increase compared with $8.81 billion reported in the prior year. The company’s strongest divisions in terms of growth year-over-year include: hair care (+100%), skin care (+14%), makeup (+10%), and fragrance (+3%)
  • The male grooming category has demonstrated a consistent performance throughout the recent years of economic instability, having increased its global revenues by an average of 6% per annum since 2006, to reach close to $33 billion in 2011.
 
Given the growth and potential, it's a mystery why retail design and merchandising have not evolved much within the segment. Traditional department store beauty counters are similar to shrine-like communal tables in restaurants with a linear and exposed fashion – meant to tap into the emotional and rational motives and allow customers to see and clearly be seen.
 
 
That's why we were delighted to discover the "beauty capsules" within Holt Renfrew in Vancouver, Canada this summer.
 
The narrow entry to each branded boutique encloses the customer within a private space that extends beyond the need for self-esteem and status. Each concept, complete with a dedicated flat screen TV, reflects that particular company's own specific style and color palette. For example, the Chanel section within the store, feels more like a room than a beauty counter.
 
 
Unlike many department stores with traditional footprints and promotions, the Burberry space promotes a feeling of luxury branding and experiences with a U-shaped configuration. The dual entry to this "capsule" is partitioned off to evoke privacy from other customers, departments, and brands. The counterless concepts allow salespeople to get out from behind fixtures.
 
The "beauty capsules" also provide unification without seeming cluttered. Each brand has a unique theme and materials, but the closed nature of each section and the white backdrop of the store interior allow varied fixtures to coexist without seeming messy. 
 
branded elevator
 
Beyond the cosmetics department, promotional fixtures and beauty campaign banners at Holt Renfrew are practically nonexistent, with the exception of well-placed elevator wraps and in-wall displays that tempt customers with media instead of messaging.
 
Holt Renfrew is not alone in rethinking it's design, merchandising, and services related to beauty.
  • Selfridges launched its largest-ever 5,000 square foot beauty project, The Beauty Workshop, in September. The concept showcases 50 new brands and has treatment rooms for personalized services. Employees are trained to work across a variety of brands and are employed by Selfridges rather than by brands. “If every woman emptied her makeup bag on the table, there would be a variety of products — there is no brand loyalty,” said Jayne Demuro, Selfridges’ Head of Beauty. “This is about giving the customer what we think they want, and it’s about offering our customers choices.”
  • Harvey Nichols is looking for more locations for a new specialist boutique, Beauty Bazaar, and is planning on introducing beauty product vending machines in its department stores in 2013.
 
As brands vie for premium placement, it seems logical that they also consider cohesive design that emulates their luxury company-owned freestanding locations. Design and merchandising are key elements to the puzzle.
 
caffe umbria
Caffe Umbria
 
How do you improve on sophistication and heritage? For Caffè Umbria, the answer is all about design.
 
As fans of the Italian-style espresso and coffee roaster for some time now (we pour Bizzarri Blend using a French Press at the office), we were delighted to see the brand evolve with powerful new packaging that is differentiated with simple details that capture the true artistic essence of the companies rich history.
 
Caffe Umbria
{Image and packaging design by Tether}
 
We love the juxtaposition of the background pattern, changing color with each blend, and the bold type throughout the range. Most intriguing is the logo placement – which allows for vertical or horizontal merchandising at retail.
NM holiday
Is it just us or does the art direction and graphic design for Neiman Marcus' 2012 Christmas Book remind you of another luxury department store's campaign? Take a look.
 
 
Those animated brightly colored dots could use S-A-L-E lettering.